SUSAN MACWILLIAM
Hidden Channels Of The Mind
2013/2014, inkjet paper, plastic sphere, 6 x 6 x 6 inches. unique.
$ 3,000
Based on Louisa E. Rhine’s ESP in Life and Lab: Tracing Hidden Channels, documenting ESP and telepathy research associated with Duke University and the development of modern parapsychology.
Exhibited at QUAD, Derby, 2014, and in the touring survey Modern Experiments, 2016–17. Ten works from the series are held in the UK Government Art Collection.
SUSAN MACWILLIAM
Challenge of Psychical Research
2013/2014, inkjet paper, plastic sphere, 6 x 6 x 6 inches, unique.
$ 3,000
Based on psychologist Gardner Murphy’s Challenge of Psychical Research, a study of documented cases and evidence within psychical research and parapsychology.
SUSAN MACWILLIAM
ESP in Life and Lab
2013/2014, inkjet paper, plastic sphere, 6 x 6 x 6 inches, unique.
$ 3,000
Based on Louisa E. Rhine’s ESP in Life and Lab: Tracing Hidden Channels, exploring historic ESP and telepathy work conducted at Duke University.
Exhibited: An Answer Is Expected, QUAD, Derby, 2014; Susan MacWilliam: Modern Experiments, touring exhibition, 2016–17.
SUSAN MACWILLIAM
Beyond the Darkness
2013/2014, inkjet paper, plastic sphere, 6 x 6 x 6 inches, unique.
$ 3,000
Based on Beyond the Darkness, concerning psychic phenomena, survival and the possibility of existence beyond death.
SUSAN MACWILLIAM
The Psychic Mafia
2013/2014, inkjet paper, plastic sphere, 6 x 6 x 6 inches, unique.
$ 3,000
Based on The Psychic Mafia, an account of professional mediumship, Spiritualism and the controversy surrounding fraudulent psychic phenomena.
Exhibited at QUAD, Derby, 2014, and in the touring survey Modern Experiments, 2016–17. Ten works from the series are held in the UK Government Art Collection.
SUSAN MACWILLIAM
Extra-Sensory Perception
2013/2014, inkjet paper, plastic sphere, 6 x 6 x 6 inches, unique.
$ 3,000
Based on Extra-Sensory Perception, examining the scientific investigation of ESP and perception beyond the ordinary senses.
Exhibited at QUAD, Derby, 2014, and in the touring survey Modern Experiments, 2016–17. Ten works from the series are held in the UK Government Art Collection.
SUSAN MACWILLIAM
The ESP Reader
2013/2014, inkjet paper, plastic sphere, 6 x 6 x 6 inches, unique.
$ 3,000
Based on The ESP Reader, an anthology of writings on extrasensory perception and psychical research.
SUSAN MACWILLIAM
Beyond the Reach of Sense
2013/2014, inkjet paper, plastic sphere, 6 x 6 x 6 inches, unique.
$ 3,000
Based on Rosalind Heywood’s Beyond the Reach of Sense, a history and examination of psychical research and extrasensory perception.
SUSAN MACWILLIAM
Here and Hereafter
2013/2014, inkjet paper, plastic sphere, 6 x 6 x 6 inches, unique.
$ 3,000
Based on Here and Hereafter, concerning psychic experience, survival after death and the possibility of communication beyond ordinary perception.
SUSAN MACWILLIAM
Mind Over Matter
2013/2014, inkjet paper, plastic sphere, 6 x 6 x 6 inches, unique.
$ 3,000
Based on Louisa E. Rhine’s Mind Over Matter, an account of psychokinesis (PK) and spontaneous paranormal experience.
SUSAN MACWILLIAM
Parapsychology Today
2013/2014, inkjet paper, plastic sphere, 6 x 6 x 6 inches, unique.
$ 3,000
Based on Parapsychology Today, addressing ESP, telepathy, clairvoyance, precognition and psychokinesis.
SUSAN MACWILLIAM
Yes We Do Survive
2013/2014, inkjet paper, plastic sphere, 6 x 6 x 6 inches. unique.
$ 3,000
Exhibited at QUAD, Derby, 2014, and in the touring survey Modern Experiments, 2016–17. Ten works from the series are held in the UK Government Art Collection.
SUSAN MACWILLIAM
An Answer is Expected
2014. Installation view: QUAD Gallery, Derby, UK.
SUSAN MACWILLIAM
An Answer is Expected
2013/20, yellow gold neon, 4 x 62 inches, ed: 3 + 2AP.
Exhibited: QUAD, Derby, 2014; Psychic Lighthouse, The Model, Sligo, 2015; Ghosts: Visualizing the Supernatural, Kunstmuseum Basel, 2025–26. An edition is held in the UK Government Art Collection.
SUSAN MACWILLIAM
Where Are The Dead?
2013, white neon, 5 x 54 inches, ed: 3 + 2AP.
Exhibited: Highlanes Gallery, Drogheda, 2013; Modern Experiments, touring museum exhibition, Ireland, 2016–17; Ghosts: Visualizing the Supernatural, Kunstmuseum Basel, 2025–26.
SUSAN MACWILLIAM
An Answer is Expected
2013, video, run time: 65:00.
Exhibited: QUAD, Derby, 2014; Modern Experiments, Butler Gallery, Kilkenny, 2017.
Contact gallery to view the video.
SUSAN MACWILLIAM
Some Ghosts
2009, video, run time: 38:00.
Contact gallery to view the video.
SUSAN MACWILLIAM
F-L-A-M-M-A-R-I-O-N
2009, Blu-ray, run time: 17:13.
Commissioned for and exhibited at the 53rd Venice Biennale, Northern Ireland Pavilion, 2009.
Contact gallery to view the video.
SUSAN MACWILLIAM
F-L-A-M-M-A-R-I-O-N
2009. Installation view: 53rd Venice Biennale, Northern Ireland Pavilion.
Photograph: Prudence Cuming © British Council
SUSAN MACWILLIAM
The Last Person
1998, black and white silent video, run time: 10:30.
Exhibited: Ghosts: Visualizing the Supernatural, Kunstmuseum Basel, 2025–26
Contact gallery to view the video.
Susan MacWilliam (b. 1969, Belfast, Northern Ireland) is an internationally recognized artist whose work takes psychical research and its histories as a central subject. Working across video, sculpture, photography, installation and neon, MacWilliam draws on mediums, Spiritualism, telepathy, extrasensory perception and paranormal investigation—transforming this material into works that are visually engaging, intellectually curious and subtly playful.
Her subjects range from celebrated psychical researchers and mediums to séances, ghosts and the popular literature of the paranormal. Her work has engaged with figures including J. B. Rhine and Louisa E. Rhine, William G. Roll, Eileen Garrett, Helen Duncan and Camille Flammarion, connecting their research and histories with contemporary art. In her Book Spheres, vintage book covers devoted to psychical research, parapsychology, telepathy, ESP and Spiritualism are transformed into sculptural objects. Elsewhere, glowing neon questions such as Where Are the Dead? give the language of psychical research an unexpected contemporary presence, while her films bring historical figures, researchers and accounts of extraordinary phenomena into direct conversation with the present.
MacWilliam represented Northern Ireland at the 53rd Venice Biennale in 2009 with her solo exhibition Remote Viewing. In 2020, CONNERSMITH presented a solo survey of her work at The Armory Show, New York. Her work has been exhibited internationally in museums and institutions throughout Europe and North America. Her mid-career survey, Modern Experiments, toured the F.E. McWilliam Gallery, Highlanes Gallery, Uillinn: West Cork Arts Centre and Butler Gallery in 2016–17. Recent exhibitions include Ghosts: Visualising the Supernatural at Kunstmuseum Basel and The Undead Archive: 100 Years of Photographing Ghosts at the University of Manitoba.
MacWilliam’s work is held in public and institutional collections including the UK Government Art Collection, Irish Museum of Modern Art (IMMA), Arts Council of Northern Ireland and British Library Sound Archive, as well as numerous private collections internationally. The UK Government Art Collection holds eleven works by MacWilliam, including AN ANSWER IS EXPECTED and ten sculptures from her Book Spheres series.
MacWilliam lives and works in Belfast, N Ireland and is represented by CONNERSMITH, Washington, DC.
Susan MacWilliam's touring show explores its people and phenomena.
For article PDF, contact gallery.
"In 2010 at NCAD Gallery, Dublin, Susan MacWilliam restaged the video installation titled F-L-A-M-M-A-R-I-O-N."
For article PDF, contact gallery.


