Skip to content
Susan MacWilliam  An Answer Is Expected  2013/20, yellow gold neon, 4 x 62 inches, ed: 3 + 2AP.

Susan MacWilliam

An Answer Is Expected

2013/20, yellow gold neon, 4 x 62 inches, ed: 3 + 2AP.

Inquire
Susan MacWilliam  Garden Series: Girl Standing  2001/2006, digital print, 16 x 24 inches, ed: 5 + 2AP.

Susan MacWilliam

Garden Series: Girl Standing

2001/2006, digital print, 16 x 24 inches, ed: 5 + 2AP.

Inquire
Susan MacWilliam  Garden Series: Dress and Dandelions  2001/2006, digital print, 16 x 24 inches, ed: 5 + 2AP.

Susan MacWilliam

Garden Series: Dress and Dandelions

2001/2006, digital print, 16 x 24 inches, ed: 5 + 2AP.

Inquire
Susan MacWilliam  Garden Series: Girl on Ground  2001/2006, digital print, 16 x 24 inches, ed: 5 + 2AP.

Susan MacWilliam

Garden Series: Girl on Ground

2001/2006, digital print, 16 x 24 inches, ed: 5 + 2AP.

Inquire
Susan MacWilliam  Parapsychology Today  2013-14, inkjet paper, plastic sphere, 6 x 6 x 6 inches, unique.

Susan MacWilliam

Parapsychology Today

2013-14, inkjet paper, plastic sphere, 6 x 6 x 6 inches, unique.

Inquire
Susan MacWilliam  Extra-Sensory Perception  2013-14, inkjet paper, plastic sphere, 6 x 6 x 6 inches, unique.

Susan MacWilliam

Extra-Sensory Perception

2013-14, inkjet paper, plastic sphere, 6 x 6 x 6 inches, unique.

Inquire
Susan MacWilliam  Hidden Channels Of The Mind  2013-14, inkjet paper, plastic sphere, 6 x 6 x 6 inches, unique.

Susan MacWilliam

Hidden Channels Of The Mind

2013-14, inkjet paper, plastic sphere, 6 x 6 x 6 inches, unique.

Inquire
Susan MacWilliam  ESP In Life And Lab  2013-14, inkjet paper, plastic sphere, 6 x 6 x 6 inches, unique.

Susan MacWilliam

ESP In Life And Lab

2013-14, inkjet paper, plastic sphere, 6 x 6 x 6 inches, unique.

Inquire
Susan MacWilliam  The ESP Papers  2013-14, inkjet paper, plastic sphere, 6 x 6 x 6 inches, unique.

Susan MacWilliam

The ESP Papers

2013-14, inkjet paper, plastic sphere, 6 x 6 x 6 inches, unique.

Inquire
Susan MacWilliam  KATHLEEN (video still)  2014, black & white & color video, stereo, run time: 33:00, ed: 5 + 2AP.
Susan MacWilliam

KATHLEEN (video still)

2014, black & white & color video, stereo, run time: 33:00, ed: 5 + 2AP.

Click here to view video.

Inquire
Susan MacWilliam  AN ANSWER IS EXPECTED  2013, black & white & color video, stereo, run time: 65:00, ed: 5 + 2AP.

Susan MacWilliam

AN ANSWER IS EXPECTED (video still)

2013, black & white & color video, stereo, run time: 65:00, ed: 5 + 2AP.

Click here to view video.

Inquire
Susan MacWilliam  Some Ghosts  2009, color video, stereo, run time: 38:00, ed: 5 + 2AP.

Susan MacWilliam

Some Ghosts (video still)

2009, color video, stereo, run time: 38:00, ed: 5 + 2AP.

Click here to view video.

Inquire
Susan MacWilliam  The Last Person (video still)  1998, black & white video, silent, run time: 10:30, ed: 5 + 2AP.

Susan MacWilliam

The Last Person (video still)

1998, black & white video, silent, run time: 10:30, ed: 5 + 2AP.

Click here to view video.

Inquire
Susan MacWilliam  Faint (video still)  1999, color video, stereo, run time: 3:40, ed: 5 + 2AP.

Susan MacWilliam

Faint (video still)

1999, color video, stereo, run time: 3:40, ed: 5 + 2AP.

Click here to view video.

Inquire

Press Release

CONNERSMITH. THE ARMORY SHOW 2020
SUSAN MACWILLIAM

FOCUS, Curated by Jamillah James

March 5 - 8, 2020
Pier 90, Booth F24

CONNERSMITH is pleased to present a select survey of work by Susan MacWilliam (b. 1969, Belfast, Northern Ireland) at The Armory Show.

 

In photography, video, neon and sculpture, MacWilliam explores overlooked histories in paranormal psychology, engaging a range of phenomena including mediumship, ectoplasm, x-ray vision, telepathy, clairvoyance and Dermo Optics. Using anecdote, reconstruction and detailed editing to expand methods of interpretation and forms of portraiture, the artist considers the lives, personalities and experimental apparatus of parapsychology from a female perspective.

 

As MacWilliam delves into topics of hysteria, witchcraft and melancholy, she posits psychical research as an expression of patriarchal control over women’s autonomy. Her works reveal the creation of rich, multifaceted inner-worlds inhabited by those living outside of societal conventions, in spaces where pressures of normality and conformity may lead to paranoia, repression and even persecution.

 

Jamillah James, Curator, Institute of Contemporary Art, Los Angeles, included MacWilliam among today’s most relevant and compelling artists in the 2020 Focus section. MacWilliam’s works have been exhibited internationally including the Venice Biennale; the British Library; Highlanes Gallery, Drogheda, FE McWilliam Gallery, Banbridge; QUAD, Derby; NN Contemporary Art, Northampton; Jan van Eyck Academie, Maastricht; The Agency, London; Heidelberger Kunstverein, and nGbK, Berlin.