Howard Mehring
#5, 1962
acrylic and graphite on canvas
96 x 60 inches
“The geometric image (is as basic to color painting as) the rhythmic repetition of an element, color, space and openness, symmetry. I start with a certain symmetrical image, and then let the picture paint itself out in a balance between intellect and intuition. I think there is a search for balance in the new painting today. It is a classical period. We start with a preconceived idea and then carry it through intuitive means.”[i]
-Howard Mehring
[i] The Vincent Melzac Collection: The Washington Color Painters at The Museum of the Palm Beaches, Inc. Norton Gallery and School of Art, Palm Beach, FL (1974), p. 37.
Howard Mehring
#20 (Pink/Blue Grid), 1961
magna on canvas
44h x 46w in
HM038
Howard Mehring
Blue Section
1961, magna on canvas, 51 x 46 inches.
Howard Mehring
Untitled (Green/Blue/Yellow Ambit), 1961
magna and graphite on canvas
23 x 27 inches
HM124
Howard Mehring
Untitled, 1961
enamel on paper
18 x 24 inches
HM084
Howard Mehring
Blue Note, 1965
graphite, gouache, and oilstick on paper
11 x 8 inches
Framed: 15h x 17.50w in
HM132
Howard Mehring (1931-1978) was a leading Washington DC Color painter. Curator Walter Hopps, asserted: “Mehring was the closest painter to Morris Louis in delicacy… [his work is] simultaneously delicate and bold, a rare combination also present in Jackson Pollock’s work.” Gene Davis identified Mehring as “one of the premier painters” of the Washington Color School, explaining: “In many ways he was the most lyrical of us all.” Mehring’s artistic innovations influenced the works of Gene Davis, Thomas Downing, Alma Thomas and Sam Gilliam. Permanent collections include: Solomon R. Guggenheim Museum; Museum of Modern Art; Whitney Museum of Modern Art, The Tate Gallery, Hirshhorn Museum and Sculpture Garden; National Gallery of Art; Los Angeles County Museum; San Francisco Museum of Art.
Galleries review (scroll).
by Mark Jenkins
"The current show at Conner Contemporary, “Conversations in Lyrical Abstraction,” conveys the pervasive influence of the Color School on artists working in new media."
For article PDF, contact gallery.