The Financial Times New Museum Triennial: a chorus of dissenting voices (Wilmer Wilson IV)February 23, 2018
The New York Times The New Museum Triennial looks Great, But Plays it SafeFebruary 22, 2018

American artist Wilmer Wilson IV ... From a distance, the effect is gorgeous: an Impressionism of gleaming steel. Up close, though, you zero in on the individual staples and get a sense of the material violation they cause. Whether you see the figures — the bodies — underneath, and whether you consider them to have been assaulted or exalted by their metal overlay, will depend on how Fromclose to them, in every sense, you stand. 

The Washington Post Two Visual artists, worlds - and Centuries Apart ( Erik Thor Sandberg)February 22, 2018

... what draws the eye are the artist’s idiosyncratic scenarios — he calls his style “magic realism” — and extraordinary skill. Such paintings as “Transition” and “Blinded,” which are among the simplest in composition, demonstrate a superb ability to render light, shadow and the delicacy of human skin. Sandberg’s work is rich in metaphor, but also in sheer physicality. 

The New York Times Meet Six Disrupters at New Museum's Triennial (Wilmer Wilson IV)February 2, 2018


THE WALL STREET JOURNAL In Washington, Portraits of the Forgotten - Janet BiggsNovember 10 2017
Burnaway Susan MacWilliam; Art Review: From Hokey to Poignant, “Medium” Goes Beyond the ParanormalOctober 16 2017
ZIGZAGS Wilmer Wilson IV, 'Fire Bill's Spook Kit', In Flanders Fields Museum, IeperSeptember 18, 2017
e-flux Wilmer Wilson IV, Fire Bill's Spook Kit, In Flanders Fields Museum, Ieper, BelgiumJune 27, 2017

Press Release

BURNAWAY Review of Third Space, Birmingham Museum of ArtApril 21 2017
Hyperallergic In a Performance, a Soundscape Invokes the Brutality of Slavery [Sheldon Scott]November 17, 2016
Aesthetica Magazine Janet Biggs, SCAD Museum, USAJuly 27, 2016
The Washington Post Smithsonian will reopen renovated Renwick Gallery Nov. 13 [Leo Villareal]April 21, 2015
BLOUIN ARTINFO Sculptors on Sculpture: Part One [Barry X Ball]March 5, 2015
ARTFORUM Janet BiggsFebruary 9, 2015
The New York Times Excursions in a Digitally Fabricated Landscape ‘Out of Hand,’ a Survey of Computer-Assisted Art [Barry X Ball]October 23, 2013
bmore art Art Historical Allusions and Paradise Lost in Erik Thor Sandberg’s ReceptivityMay 7, 2013
The Washington Post D.C. power players appear in new video portrait — but is it art? [Lincoln Schatz]December 12, 2012
Washingtonian 21st-Century Time Capsule Artist Lincoln Schatz creates a compelling, dynamic portrait of Washington’s playersDecember 10, 2012
San Francisco Chronicle San Jose museum sheds light on Leo VillarealSeptember 17, 2010
Tampa Bay Metro Magazine Elements of Change [Leo Villareal]February / March 2010
ARTFORUM National Gallery of Art Acquires Leo Villareal’s MultiverseOctober 11, 2009
ARTnews Points of Light [Leo Villareal]June 2009
Vogue Light Fantastic [Leo Villareal]March 2009
Art in America Tunnel Vision [Leo Villareal]November 2008
The New York Times Inside Art [Leo Villareal]September 5, 2008
The Studio Museum Frequency Exhibition Catalogue: Zoë Charlton2005