by Lilly Wei
by Sarah Tanguy
Published by the International Sculpture Center
American artist Wilmer Wilson IV ... From a distance, the effect is gorgeous: an Impressionism of gleaming steel. Up close, though, you zero in on the individual staples and get a sense of the material violation they cause. Whether you see the figures — the bodies — underneath, and whether you consider them to have been assaulted or exalted by their metal overlay, will depend on how Fromclose to them, in every sense, you stand.
... what draws the eye are the artist’s idiosyncratic scenarios — he calls his style “magic realism” — and extraordinary skill. Such paintings as “Transition” and “Blinded,” which are among the simplest in composition, demonstrate a superb ability to render light, shadow and the delicacy of human skin. Sandberg’s work is rich in metaphor, but also in sheer physicality.
Susan MacWilliam's touring show explores its people and phenomena.
April 4, 2017